The Smith Lane
The bar at Huda in late afternoon sun: walnut stools, an oak bar front with a marble top and a terracotta urn of autumn flowers against limewashed brick

Rooms that get better with age.

Interior design for homes, restaurants and hotels, in New York and beyond

We design rooms that welcome the patina of everyday life: worn leather, marked stone, weathered copper.

The studio is named for the street where I grew up, in a house my father built by hand.

About the studio

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

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Work

What we’re designing now, and the projects that came before The Smith Lane.

In progress

Current Smith Lane projects. Photographs to follow as each one comes together.

Earlier work

Projects I designed before founding The Smith Lane.

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

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High Peaks Residence

An 1890s house deep in the Adirondacks. The owners didn’t want it returned to one moment in its history. They wanted it to feel as if it had always been this way.

Dining room with wood-paneled walls, stick-back chairs around a long table, and bookshelves
Living room with a white coffered ceiling, linen sofas, antique rugs and a wall of windowsStair hall with paneled walls, an oak floor, an antique rug and a dark wood sideboard
Location
Adirondacks, New York
Scope
Main house and carriage house, fixtures, furniture and equipment (FF&E) throughout
Role
Lead designer and project manager, at Post Company

Across the main house and the carriage house, the owners wanted room for twenty: five suites, two bunk rooms and a kitchen built for a crowd. I gave each room its own scale and mood, so a big group can share a weekend and everyone still finds a corner of their own.

The usual lodge look of dark timber and antlers was set aside for limewashed walls, wide oak floors and pale coffered ceilings. The furniture comes from many places and decades, from Pierre Chapo stools to antique Heriz rugs, each piece chosen for how it works in the room.

Photography: Chris Mottalini, courtesy of Post Company.

Sitting room with a brick fireplace, two low sofas and a wooden coffee table
Bedroom with linen shades, a low bed with pink pillows and an antique rugMudroom with a herringbone brick floor, a built-in bench and coats on wooden pegs
A pantry kitchen with putty-colored cabinets, a soapstone counter, open wood shelves and morning light through a wood-framed windowA bathroom with a double marble washstand on turned wood legs, two mirrors, shiplap walls and a pair of wooden stools
The house from outside: stone and dark shingle, a stone path and a lawn edged by forest

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

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Wylder Windham

A Catskills resort that welcomed guests for more than 140 years as the family-run Thompson House, made to feel like a well-loved country house again.

A sitting room with a leather Chesterfield sofa, a wood and leather sling chair and a red Persian rug in the sunStair hall with a white-spindled staircase, a dark gateleg table with a pot of spring branches and a landscape painting
Location
Windham, New York
Scope
Lobby, Babblers restaurant and café, event space, guest rooms, fixtures, furniture and equipment (FF&E) throughout
Role
Lead designer and project manager, at Post Company

I furnished the lobby like a house rather than a hotel: worn leather, pieces with a past and patterned rugs underfoot, so guests feel they’ve come back somewhere familiar, even on a first visit.

The guest rooms began with a single model room. Once it was right, the design carried into every room across the resort’s seven buildings. From Babblers to the seats around the fire pits, the whole property reads as one place.

Photography: Wylder Hotels.

Lobby living room with built-in bookshelves around a fireplace, a black chandelier and deep velvet sofas
The Babblers bar: a curved walnut bar top with stick-back stools, schoolhouse pendants and mirrored shelves of glassware
A cognac leather banquette under framed fish prints and brass picture lights, with a kilim pillow
Two armchairs, a sheepskin and a small walnut table in a guest room bay window looking out to the mountains
Sun and leaf shadows on a round walnut table with a jade plant, a smoky glass bottle and books, between two upholstered chairsA rust velvet headboard with a blue houndstooth throw beside an antique side table with a white pitcher, under a small gilt-framed watercolor
The Main Lodge: white clapboard with a wide porch, a row of bicycles out front and a green vintage truck passing

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

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Huda

A Levantine bistro in East Williamsburg, named for a matriarch in the owner’s family. In Arabic, Huda means “right guidance.”

The Huda bar in late sun: a pink-veined marble top on an oak front, walnut stools, wine on wood shelves and a terracotta urn of autumn flowers against limewashed brick
Green banquette seating beside tall street-facing windowsDining corner with plaster walls and a framed portrait in afternoon light
Location
East Williamsburg, Brooklyn
Scope
Dining room, fixtures, furniture and equipment (FF&E) and construction oversight
Role
Project designer and on-site lead, at Post Company

The menu does the talking, so the room stays calm and grounded. Original brick meets cream plaster and dark floors, and the design took things away more often than it added them.

Wood banquettes with green velvet cushions, linen at the windows, and terracotta wall lights made from clay from Morocco’s Rif Mountains. Materials that will only look better as the restaurant settles in.

Photography: Ronald Yeung, courtesy of Post Company.

A terracotta urn of red and yellow flowers on the marble bar top, against rough limewashed brickThe washroom: a steel basin on a dark wood counter skirted in linen, exposed chrome pipes, white tile and a round wall light
Wine shelves and a leafy plant against a plaster wall above a set table

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

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One Beacon

A workplace high above downtown Boston, made to feel less like an office and more like somewhere people want to spend the day.

Café with round wood tables, blue leather chairs and fresh flowers, a terrazzo bar with black stools and birch cabinets above
Lounge with a cognac leather sectional, pink ottomans and woven leather chairs on a green rug, with the café bar beyondA small meeting room seen through a glass door: four deep red chairs around a round wood table, under a black pendant light, with slatted wood walls
Location
Boston, Massachusetts
Scope
A 51,682 sq ft workplace: café and lounges, meeting rooms, amenities, fixtures, furniture and equipment (FF&E) throughout
Role
Interior design lead, at WeWork

Birch, terrazzo and leather warm up the raw concrete ceilings. The café sits along the windows, facing the city, and the small meeting rooms are lined in slatted wood with deep red chairs, so even a quick call feels like sitting down somewhere comfortable.

I led the interiors from concept and schematic design through construction, coordinating the owner, architect and contractor, and managed furniture procurement and delivery. Ochre tile and monstera wallpaper in the washrooms, and a shuffleboard court painted down the entry corridor, give people something to smile about between meetings.

Photography: Chris Sanchez, courtesy of WeWork.

Washroom with wall-hung white sinks, black gooseneck taps and round mirrors, ochre tile below and monstera wallpaper above
Entry corridor with a green shuffleboard court painted on the wood floor, leading to glass doors

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

Say hello
Lauren C. Grant smiling at the camera, with long curly hair and a black top, against a plain white wall

Lauren C. Grant

I’ve spent more than 13 years designing homes, hotels, restaurants and workplaces. I hold a master’s in Interior Architecture from Rhode Island School of Design (RISD), and an earlier life in photography still shapes how I read light and materials.

I founded The Smith Lane to design spaces that are timeless and personal, and that welcome the patina of everyday life.

Why The Smith Lane

I grew up on Smith Lane, in a house my father built by hand. By trade, he was a union electrician. But he built the whole house himself: the foundation, the carpentry, the plumbing, the heating and the wiring. What he didn’t know, he learned.

Few homes are made that way now. He did it out of love for his family, one room at a time, so we would always have a place that was ours.

I also liked that it sounds like a street anyone might live on. Design can feel out of reach, and I wanted a name that feels familiar from the start.

That house is where the studio begins. Honoring the past doesn’t mean living in it. The most timeless rooms are layered: honest materials and pieces with a history, made for how people live now.

Not a showroom, but a place that is unmistakably yours.

I love when a leather seat shows everyone who has sat in it before me, when a stone counter keeps the ring of a wine glass from a night that ran late, when a copper roof turns minty green after a few seasons in the open.

Lauren C. Grant

Previously at Lisa Frantz Interiors, Korban Studio, Post Company, Morris Adjmi Architects, Husband Wife, WeWork, J. Patryce Design (now J. Patryce & Co.) and Heiberg Cummings Design.

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

Say hello

How we work with you

Homes and hospitality, from a single room to a whole property.

Full interior design

A complete plan for a whole home or a major renovation, from layout and finishes to the last lamp. We work with trusted builders through installation.

Fees tailored to each project

Styling and refresh

A fresh look at the rooms and pieces you already have, with new additions where they count.

From $1,500 per room

Virtual consultations

Design guidance by video, wherever you live, with a plan you can carry out at your own pace.

Sessions from $450

Hospitality

Restaurants and hotels, designed to welcome people every day and wear in well.

Fees tailored to each project

First, we listen

  1. Your story

    How you live, and what you want to keep.

  2. A shared direction

    How the space should feel and work.

  3. The details

    Materials chosen for how they’ll wear over time.

  4. Seeing it through

    The plan, built and installed.

Have a space with a history, or one that needs one? Tell us how you use it and what you’d like to keep.

Say hello

Tell us about your space

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